Max Brooks won lots of fans with his book "World War Z," and many of them are upset by the liberties taken with the script for the movie adaptation. The book looks back at a war between humans and zombies, and is written as an oral history in the aftermath of the bloodshed. Zombies can be endlessly entertaining my favorite big screen treatment is the hilarious "Shaun of the Dead" but Brooks loyalists are upset that the story line for the adaptation is a run up to the war, rather than a reappraisal. Paramount's synopsis sounds more like a Dan Brown thriller than a thoughtful sci fi tale. Their fear is understandable. I cringe with apprehension every time Hollywood gets hold of a favorite book a Pavlovian reaction that originated with the pitiful adaptation of Frank Herbert's "Dune." And handling flashbacks is an especially tricky business on screen, though it can be done well as we saw recently with "Sarah's Key." So we'll have to wait for the release of "World War Z" to see if director Marc Forster and star Brad Pitt can create a powerful narrative, without following Brooks' literary roadmap. Meanwhile, fans should feel free to sound a warning. It is an abuse of the book title. Try giving a 5 year old (with no previous exposure to renaissance art), a box of crayons, asking him/her to reproduce the Sistine Chapel, and charging admission to see the finished product. The production team of this film seems to be ill equipped and ignorant of the original design. The brilliance of the book is its attention to detail on the grandest of stages. A shame for Pitt. I rather enjoyed his renditions of Tyler Durden and Benjamin Button. I see Pitt's face and "World War Z" smothering 32oz soda buckets and burger wrappers in my crystal ball. 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